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Sunday, 21 October 2012

George McGovern 1922-2012

Posted on 11:00 by Ratan
Former United States Senator, and Presidential candidate, George McGovern.

In 2005, I had the good fortune to interview former Democratic presidential nominee George McGovern for Venice Magazine, in conjunction with the release of Stephen Vittoria's documentary "One Bright Shining Moment: The Forgotten Summer of George McGovern," which looked at McGovern's ill-fated 1972 bid for the White House. During our interview, and during a lengthy dinner at Kate Mantilini in Beverly Hills several months later, (which happened to fall on what would have been the 80th birthday of his close friend, Robert F. Kennedy), McGovern was thoughtful, direct, and kind-hearted; a gentleman and a gentle man. When we raised a glass to toast Bobby Kennedy's memory, Senator McGovern said quietly "Bobby made us all want to be better people." A more fitting valediction of George McGovern couldn't be said. Rest in peace.

GEORGE MCGOVERN SHINES ON
By
Alex Simon


Editor's Note: This article orginally appeared in the September 2005 issue of Venice Magazine.

George McGovern, for a brief moment, looked as if he was the man who could lift the United States out of its moral and spiritual slump that began with the tumultuous events of the 1960s, and seemed to be conflagrating by the minute as a second term of the Nixon administration loomed large on the horizon in 1972. As it often does, fate had other ideas. Instead of delivering the children to the promised land, Senator George Stanley McGovern of South Dakota suffered one of the worst defeats in the history of American presidential elections, winning 38% of the vote to Richard Nixon’s 60%, and losing in the Electoral College 520 to 17. He won in only two locations: Massachusetts and the District of Columbia. He even failed to win his home state of South Dakota, whose sons and daughters he’d loyally served for nearly a quarter century. As the man said, history is written by the winners. Less than two years later, “winner” Richard Nixon would resign in disgrace, and over time, George McGovern would come to be regarded as the hero, and savior, he nearly was.

George McGovern grins during a high point in his 1972 grassroots campaign for the presidency.

George McGovern was born July 19, 1922 in Avon, South Dakota, the son of a Presbyterian minister. After studies at Dakota Wesleyan University were interrupted by WW II, McGovern volunteered for The United States Army Air Forces and served as a B-24 Liberator bomber pilot with the 15th Air Force. He flew 35 missions over hostile territory from North Africa to Italy and was awarded the Distinguished Flying Cross. McGovern’s wartime exploits were later recorded by renowned historian Stephen Ambrose in his book “The Wild Blue.”

Eleanor McGovern pins silver pilot wings on her husband, newly-commissioned Second Lt. George McGovern, on April 15, 1944, at Pampa Army Air Field, Texas.


After returning home from the war, McGovern finished his degree at Dakota Wesleyan, then went on to Northwestern University, where he earned a PhD in history, returning again to his alma mater as a professor. Although both McGovern’s parents were Republican, he claimed no political affiliation until the 1948 election, registering as an Independent, and later joining the newly formed Progressive Party, volunteering for the (unsuccessful) presidential campaign of former Vice President Henry A. Wallace. After hearing a 1952 radio broadcast of Governor Adlai Stevenson’s acceptance speech at the Democratic Convention, McGovern immediately changed his affiliation to the Democratic party, volunteering for Stevenson’s campaign. McGovern stayed active in Democratic politics, winning a seat in the House of Representatives in 1956.

Elected to the senate in 1962, McGovern went on to make a name for himself as a forthright, shoot-from-the-hip liberal who was outspoken against U.S. involvement in southeast Asia almost from the get-go (in spite of voting in favor of the Gulf of Tonkin Resolution, a vote he still regrets). After serving as the flagbearer for the supporters of recently-slain Senator Robert Kennedy at the disastrous 1968 Democratic convention in Chicago, McGovern became his party’s most outspoken critic of the Vietnam war, co-sponsoring the McGovern-Hatfield amendment in 1970, seeking to end U.S. participation in Vietnam through Congressional action. Running for President in ’72 on an anti-war platform, McGovern’s momentum was interrupted when his running mate, Senator Thomas Eagleton of Missouri, was revealed to have been hospitalized for depression on three occasions and been treated with electroshock therapy. Quickly replacing him with Kennedy brother-in-law Sargent Shriver did little to restore the damage that had been done to the once-hopeful campaign. After his defeat, George McGovern went on to serve honorably in the U.S. Senate, losing his seat in the 1980 Republican sweep that later became known as the “Reagan Revolution.”


Filmmaker Stephen Vittoria has documented McGovern’s run for the White House in a new film entitled One Bright Shining Moment: The Forgotten Summer of George McGovern. Expertly combining archival footage with present day interviews, the film portrays a time long enough past to give the viewer objectivity—objectivity that clearly reveals little has changed in American politics in more than 30 years, particularly with regard to the kinds of people who win elections, and those who should have.

George McGovern spoke to us by phone from his home in South Dakota recently. Here’s some of what was said:

The first thing I’ve wanted to ask you since the 2004 election is, since your ’72 campaign platform revolved around your opposition to the war in Vietnam, let’s talk about some of the parallels you see between what’s happening today in Iraq and what happened in southeast Asia in the 60s and 70s.

George McGovern: One parallel is that neither country posed any direct threat to the United States, although we contended that each country posed a great potential threat to the United States, which turned out to be false in both cases. Secondly, in each case, we knew very little about the culture that we were going into. For example, we were told that Vietnam was just a puppet of China, when actually there had been a thousand years of tension, antagonism and bribery between Vietnam and China, which flared again after we pulled our troops out of Vietnam. China, and the troops that were recently fighting us squared off against each other. It was settled rather quickly, but our government tried to claim that Ho Chi Min was getting his orders from Mao Tse Tung and Beijing, when if fact he was not. But we didn’t know those things, and didn’t know the history of the area, and the same thing is pretty much true of Iraq. We didn’t understand the culture and the wishes of the people there, and we still don’t. A third parallel, although it’s not quite as close, is that what we did in Vietnam was to intercede in a strong revolutionary, grassroots movement that first was aimed at the French, and expelling them from their colonies, which they’d held for a hundred years, secondly aimed at the Japanese who occupied southeast Asia during WW II, and thirdly aimed at us, who came in after the French. So it’s not exactly the same as Iraq, but it’s similar in that there’s this very widespread insurgency moving across Iraq, and I don’t see it weakening in any way. It seems to be becoming more widely spread.

The senator rallies “McGovern’s Army,” with a speech in Syracuse, N.Y., Halloween 1972. When interrupted by church bells, McGovern exclaimed, “The bells are tolling for Richard Nixon!”


Since we all know now in retrospect how Vietnam ended what do you see both in terms of the future of Iraq as a country and also in terms of American involvement.

The only thing I’m sure of is that we can’t dictate the outcome. I have no idea what’s going to happen after we withdraw. I suspect there will be continued internal conflict between the Sunni Muslims and the Shiite Muslims, and the Kurds in the north. They don’t like each other all that well. Whether or not they can get together eventually as a unified country is, I think, an open question. I don’t see how you can ever have a unified Iraq as long as we’re involved there. There’s always going to be a sizable group resisting this American occupation, so the best thing we can do is disengage our forces and then give them whatever help we can in terms of moving toward a unified, sovereign country. Also, I’d like to say that I was very disappointed in General Powell when he went to the United Nations and made what was supposed to be a scientific, factual presentation about the situation inside Iraq that turned out to be pretty flimsy material.

I think General Powell is disappointed in General Powell.

Well, he should be! (laughs) I’ve always had a high regard for him, but was very disappointed in that particular instance. You know, he even had questions about the Gulf War, ten years earlier. He wanted to hold on for six months while we sought an Arab solution to it.

When George W. Bush put Powell in his cabinet, that was the one ray of hope I had, because he was always the one person who had the guts to say ‘no’ to Bush’s dad.

I felt the same way. I had expected we’d get the same kind of level-headed and independent judgment this time, but I’m afraid we didn’t.

You’ve always epitomized what a true liberal stands for. How did your upbringing affect your political and social conscience?

Mitchell, South Dakota, where I still live, is a town of about 15,000 people. It’s in the agriculture part of the nation. While I wouldn’t describe it as a rural village, it’s a town that depends largely on agriculture for its economy. Second to that would be tourism. I was born in 1922, and that year the Depression began in the agricultural state. It didn’t hit the urban areas until the crash of the stock market in ’29. But the entire decade of the 1920s was a depression period for agricultural states because at the end of the first World War, the bottom fell out of the agricultural market. We were poor all during my growing up days, but I didn’t know that because everyone else was poor. But we had to watch our dollars very carefully. I learned at a very early age to practice a measure of economy, which has stayed with me. For that reason, I’m appalled at the way the Bush administration has ignored the huge annual deficits that they’re running, and have rolled up the national debt to an all-time high. They’ve added trillions to our national debt. I think some of those values that I had as a youngster have stayed with me. I’ve also carried with me a respect for the people who work the land, a respect for the elderly who hold on even when it’s difficult, respect for education which transformed my life from beginning to end, and a respect for matters of ethics and morality, and what are sometimes called “the things of the spirit,” and the material values of life: loyalty, truthfulness, diligence, integrity and honesty, those are things you can’t measure materially, but they have important spiritual and moral aspects. Those things were drilled into me as a youngster growing up in a Methodist parsonage.

From his base in Cerignola, Italy, Lieutenant McGovern sent home this snapshot of himself in front of his B-24, the Dakota Queen.

You also did a tour of duty in Europe as a bomber pilot during WW II.

I was in Europe for a year, and in training for a year and half before I went overseas. I flew a full string of 35 combat missions over some of the most heavily defended targets in Europe. We were hitting Hitler’s oil refineries, his tank factories, his aircraft factories, his railway yards. Those were our prime targets.

How did that experience change you?

It gave me a new appreciation for the terrible character of war. I wasn’t a pacifist then, obviously. I’ve never regretted my service in World War II, but I developed a healthy respect for the destructive character of war, and it’s been one of the reasons I’ve been cautious about sending young Americans to die anywhere in the world, but especially in areas like Vietnam and Iraq that pose no threat to our security. When I was in the war, I was lucky that I was in a plane and never saw the carnage close-up.

If you had seen it up close, would your perception of the American role in WW II have been different?

I don’t think so. I thought we had to do everything humanly possible to smash Hitler’s war machine, and I’ve never changed my mind on that. Hitler was a monster, and was leaping across one country’s frontier to another. He was going to conquer Europe, and then take Russia before they got him stopped. He made the same mistake Napoleon made. (laughs)

Initially you thought about following your father’s footsteps and entering the ministry after the war.

I thought about it for a while, and they immediately assigned me to a student pastorate in the suburbs of Chicago. I just wasn’t temperamentally suited to the ministry. So I just moved across the (Northwestern University) campus and resumed and resumed an earlier, long time interest of mine in history. They had a marvelous department there. I still owe those professors a lot. I went all the way through to a PhD on the G.I. Bill, and I’ve never been sorry about that.

How were you not temperamentally suited to the ministry?

I felt awkward in the more or less “priestly” functions: ministering to people, conducting funerals and weddings, giving communion, that part just felt awkward to me. I felt more like a student or a teacher, which is my temperament, rather than giving pronouncements in a church.

Tell us how you decided to make the jump into politics. At the time, you had a certain measure of security as a professor at your alma mater, Dakota Wesleyan, and had a young family to support.

It was regarded as a very reckless thing to do, at that time. The Democrats were not strong in South Dakota at the time. The legislature had 110 people, only two of whom were Democrats. So it was 108-2. It was very unhealthy for the state. I saw a suppression of ideas and an unwillingness to look at other possibilities. So when the state democratic chairman invited me to take a leave of absence and organize a Democratic party, I decided to do it. I worked awfully hard at it, and after a couple years had enough support to run for Congress, and get elected. Before that, I got some 24 people elected to the South Dakota state legislature. Two years later, we elected a Democratic governor. We organized an excellent grassroots base out here in South Dakota, which still more or less exists.

As early as the late 50s you were aware of the situation in Vietnam and very vocal about it.

That’s right. I felt that there were social and political revolutions and upheavals convulsing that whole colonial part of the globe: in Africa, in Latin America, and especially in Asia. I had read a great book by Owen Lattimore called “The Situation in Asia,” which came out in ’49. He predicted these upheavals all across Asia. Even before I went to the Senate, I was opposed to any military involvement by the United States, or any other western country.

President John F. Kennedy appointed George McGovern to be the first director of his Food for Peace program.

Tell us about President Kennedy.

I was in the House when he was in the Senate. I got to know him then, and I got to know Bobby then, too. They were both friends of mine, and both campaigned for me when I was running for the Senate.

When you first met John Kennedy, what was your impression of him, and as you got to know him, how did those impressions change?

He was a highly intelligent person. He was an attractive, appealing figure in terms of personality, carriage and everything. People seemed to warm up to Kennedy almost instinctively. He would speak directly on things, and was a very engaging person. At the time he first started talking about running for President in 1960, I was supporting my next door neighbor, Hubert Humphrey, who literally lived right next door to me in Washington. Hubert actually found us our first house when I was a young Congressman. But when he dropped out after losing a couple primary elections, I switched my support to Jack Kennedy and that support remained from then on. I ran for the senate first in 1960 and was defeated. He always thought that he caused that defeat, because I only lost by 1% of the vote, whereas he lost South Dakota overwhelmingly. He became much more confident after he made it to the White House and at the time he was killed, he probably could have carried South Dakota (in the ’64 election).

Many historians argue that had he lived, history might not have been kind to him in terms of his performance as a politician. Do you agree or disagree with this?

I think a martyred President draws support from everybody, so he wouldn’t have had that going for him, but he also had run into a number of legislative jams in the Congress. Jack was not as skilled as someone like Lyndon Johnson in getting the Congress to do what he wanted them to do. Johnson was a master at understanding the members of the House and Senate: what their vulnerabilities were, what their interests were. He carried a lot of personal knowledge in his head about members of the Senate, in particular. He was even nicknamed “the master of the Senate.” Whereas John Kennedy just didn’t have that kind of long-standing intimate knowledge of the legislative process and the Republicans really handled him with a great deal of hostility, so it’s quite possible that had he lived, those partisan differences might have diminished his widespread popularity, but I just don’t know. I can see, however, how some historians might have come to that sort of a conclusion.

McGovern with Senator Robert F. Kennedy, during RFK's 1968 campaign.

Let’s talk about Robert Kennedy. From everything I understand, as brilliant as JFK was, Bobby had an even more impressive intellect than his brother did. Was this the case? It also sounds like the two of them were very different men personally on many levels. Is that accurate?

I think that John Kennedy was every bit as intellectually equipped as Bobby was. I would see the differences between the two men in this way: after the President’s death, Bobby became a more compassionate and sensitive person than he had been before. It wasn’t an intellectual transformation as much as it was an emotional and personal one. I think the suffering he went through in losing his older brother changed Bobby noticeably, and the notion that he was something of a ruthless, tough politician was a sort of misnomer after the death of his brother. He may have played it rough and tough when he was taking care of his brother’s political concerns in a management role of some kind, but we saw a different side of him when he lost Jack, whom he adored, and had to fend for himself. I think he became a better person, and certainly a more compassionate, deeply caring one in the last years of his life.

Once again, we’re engaging in conjecture, but had Robert Kennedy lived, do you think he would have gotten the Democratic nomination in ’68 and would have won in November?

I don’t think he would have gotten the nomination. I think Vice-President Humphrey had an overwhelming majority of the delegates nailed down. Bobby was campaigning through the last primary, and most of the delegates then had already been picked. As I recall, he had 143, which later went to me when I was talked into becoming his standard bearer after his death. That was the old system of getting delegates, which was done largely by insiders and political and municipal organizations. So I think Humphrey had the nomination pretty well locked in ’68.

You make an interesting comment in the film that you had sympathy for both the Chicago police and the demonstrators during the ’68 Democratic convention.

I think they were frightened of each other. The cops were basically young men too, as were the protestors. The cops didn’t have the educational background in most instances that the protestors had, who were to a considerable extent college students and faculty members. But Mayor Daley probably had it right when he said that riot wasn’t caused by the police, it was caused by the war in Vietnam. I think that’s true.

So you think even if Robert Kennedy and Martin Luther King hadn’t been killed earlier that year, the storm was already brewing, so to speak?

I’m not sure. I think that if they had both still been speaking out and counseling for peaceful action, it’s possible they might have been able to head off some of those eruptions.



One thing the film points out is that the Democratic party still hadn’t healed from the split it experienced in ’68. As a result, when you announced your candidacy in ’72, many of your fellow Democrats were scared by you, and viewed you as a radical voice. Did you feel that, at the time?

I knew that was true. I don’t know how they thought I got elected in South Dakota for a quarter century if I was such a radical! (laughs) That was what my enemies put out, though, and conservatives in the press put out the same charges. I always thought of myself as a moderate liberal, a fighter for peace and justice. I never thought of myself as being all that far out. I was described as the candidate of the three A’s: acid, amnesty and abortion.



Let’s talk about the debacle with Senator Eagleton, your initial running mate. How did you go about choosing him to begin with?

Well, it was a last minute thought. We were engaged in the California challenge for 30 days and nights around the clock to save our delegation that we had won by winning the California primary. So very little thought had gone into picking a running mate up to that point. Senator Eagleton we came to after seven people had turned us down. He was recommended by some of the people who’d declined themselves. Senator Ted Kennedy recommended him strongly, as did Senator Mondale. So did Mike Mansfield. There were a number of other senators I respected highly who recommended him. Gaylord Nelson was one. I thought on the basis of that, even though I didn’t know him very well and hadn’t served on any committees with him, that he’d be a good choice.

The tragedy of the situation was that he seemed like a genuinely decent man.

That’s true, and I think he would’ve been a good Vice-President. My inclination was to stay with him until all hell broke loose in the press, but I have to confess that I didn’t know much about mental illness at that point, and had no idea what a manic-depressive was. In fact, I spoke with one of the greatest psychiatrists in the country, Dr. Carl Menninger. He said that he’d been lecturing on mental illness for more than 40 years. He said “I can tell you conservatively that half the American people are scared to death of mental illness and I don’t see how you can carry this election with a man who has a history of mental illness on the ticket. On the other hand, almost every family in the country has had someone in their family suffer from some form of mental illness and they’ll never forgive you if you ask Eagleton to step down.” To which I replied ‘So you’re saying I’m damned if I do, and damned if I don’t.’ He said “That’s the way I see it,” and he turned out to be right.

Let’s talk about your subsequent choice of Sargent Shriver as your running mate. This is a great American and great man who dedicated his life to public service, but he was trounced by much of the press as being “Kennedy-lite.”

He was a wonderful choice and performed exceedingly well. We tried to get him originally, but he was in Russia and we couldn’t reach him. He was a practicing attorney at the time in Washington and was in the Soviet Union on some kind of legal business. He and Eagleton were very good friends, too. I think it was very unfair the way many members of the press treated him and, of course, his record in public life speaks for itself.

Many political analysts have pointed out that the ’72 Democratic convention, while it had a tremendous energy to it, and looked unlike any convention that had been held in the U.S. before, its enthusiasm also contained a great of naiveté, and as a result, was very unorganized, particularly because your acceptance speech was broadcast after midnight in much of the country.

I think that was the biggest mistake of the convention: we forgot we were on primetime television with 80-90 million people watching, until it was too late to get primetime for me. When I finally went on, it was something like 2:30 in the morning on the east coast, so we lost a huge television audience. That was a tragedy and we never really recovered from that. It would have given us a chance to turn it around, and reach some people who didn’t know much about me. If they had seen that, and listened to that speech which may have been the best speech I ever delivered, I think we’d have been in a much stronger place with the electorate. Howard K. Smith, the veteran television commentator for ABC, told me it was the best acceptance speech he’d ever heard. He said “I tell you this because I’m just sick at heart that the country didn’t get to see that.” He told me that about 4:00 that morning.



Tell us about the rest of the presidential campaign, what it was like on an emotional and personal level.

Well, the rest seemed like a relatively brief part of the campaign! (laughs) I’d been campaigning for almost two years. When we finally got the nomination, the rest just went by like a speedboat. We were going night and day, hitting 3-4 cities a day, lived in a jet, hurrying from one town to another. It was almost over before it started, in my recollection.

Did you have a feeling that after the misstep with Senator Eagleton that it was over, or were you still optimistic?

I thought we lost a lot of ground, and we lost more ground when the acceptance address wasn’t heard. But I thought there was a possibility we could have turned it around, and I worked night and day to try and do it, but we just couldn’t break through. Nixon, of course, outspent us probably 10-1, and had that Rose Garden strategy, and lots of film showing him walking along the Great Wall with Mao Tse Tung, winding down the war in Vietnam, and just always seemed so relaxed. We know now he was tearing his hair out, trying to cover up the Watergate situation. If that had been exposed earlier by the national press corps or a congressional investigating committee, as it was after the election, obviously we’d have won hands-down. But unfortunately, I couldn’t get anybody excited about the Watergate break-in and what the implications of that were.

But as an historian yourself, you know that history eventually records the truth, and the truth about the Nixon presidency was revealed. When Nixon and his administration were disgraced, did you feel any sense of personal triumph and vindication when that happened, or did you just feel sorrow for the country?
I felt both. I didn’t feel elated. I felt vindicated. I had been saying in every speech that we were dealing with the most corrupt administration in American history. And I felt somewhat vindicated when those words were proven in sworn testimony, but I can’t say I felt happy about it. I wish the country had not had to go through that and had an alternative come to the fore in 1972, namely myself. I felt that I would be a strong president, and that I could unite the country and taken a healing approach on the divisions in the country, and I think I would’ve succeeded. So I’ve always regretted I didn’t have that opportunity.

But it must be equally vindicating that people continue to approach you to this day, and acknowledge that fact to you.

They do. I couldn’t even put a number on it. Hardly a day goes by that people don’t come up to me in airplanes, in hotel lobbies or on the street and say “I was praying for you in ’72. I wish you’d made it. We’d have had a different country.” I hear that around the clock, so that stays my morale. I know we were right in ’72. I know we told the truth. I know the positions I outlined would have strengthened and improved our nation and our society. I just wish we’d had the opportunity to demonstrate that.

McGovern at one of his final public appearances: the AFI Tribute to Shirley MacLaine, on June 7, 2012.

I’ve always viewed you as a realistic optimist. Bearing that in mind, what do you see as being the major problems facing our country over the next decade, and what are some of the solutions to those problems?

Number one, health care. It’s ridiculous that we’re the only industrial country on the planet that doesn’t have comprehensive health care. I would get to that in what I think is a rather simple way: I would simply start by extending Medicare in stages to different age groups. I would say ‘Congress hereby declares that all Americans from birth through the age of six, shall be covered by Medicare.’ Two years later, all those from seven through eighteen. Two years later, all those from 19-35, and so on. And then everybody would have what I have now, and what every other person over 65 has, and that’s government-paid health insurance. Why should I get all of that at the age of 83, when my grandchildren, who need it more than I do, don’t get it? I think you could sell that to the American people. Secondly, we’ve got to change American foreign policy from one of confrontation, go-it-alone, to-hell-with-everybody else attitude and learn to work in a more cooperative and multilateral way in dealing with international problems. Another thing I would deal with is the collapse of the American railway system. We used to be the number one railway nation in the world, and I’d like to see us achieve that again. We ought to have the fastest, cleanest in terms of the way it’s powered, safest rail system in the world and it ought to be integrated with a modern system of public transit in the cities in America. Then we’ve got to do something about the crisis and cost of higher education. I don’t know how the ordinary, middle class family can send a child to Stanford or Brown or Princeton, or many of these schools across the country. I’d like to see something like the G.I. Bill of Rights, which allowed me to go all the way through to a PhD at Northwestern, a great university, and it didn’t cost me a dime! I even got a living allowance during that time. I’d like to see that extended to all Americans who’d like to continue with higher education. Those are just a few of the things that are on my mind today.


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Posted in 1972, George Bush, George McGovern, Iraq, John F. Kennedy, presidential politics, Richard Nixon, Robert F. Kennedy, Stephen Vittoria., Vietnam, Warren Beatty | No comments

Sunday, 7 October 2012

DVD Playhouse--October 2012

Posted on 17:52 by Ratan





By Allen Gardner

PROMETHEUS (20th Century Fox) Ridley Scott’s quasi-prequel to his 1979 classic “Alien” has an intergalactic exploratory team (Noomi Rapace, Michael Fassbender, Guy Pearce, Charlize Theron, Idris Elba) arriving on a uncharted planet, where they discover what appears to be a dormant alien spacecraft and what might be the first discovery of intelligent life outside of Earth. Of course, everything goes straight to hell before you can scream “Don’t touch that egg!” Sumptuous visuals and strong performances from the cast (not to mention a nearly-perfect first half) can’t compensate for gaping plot and logic holes that nearly sink the proceedings in the film’s protracted second half. It feels as though some very crucial footage wound up on the cutting room floor. Perhaps, as with “Alien” and “Aliens” we’ll see a “Director’s Cut” of “Prometheus” arriving on DVD within the next year. In the meantime, this version is worth a look. Also available on Blu-ray disc. Bonuses: Two audio commentaries by Scott and writers Jon Spaihts and Damon Lindelof; Featurettes; Deleted scenes; Alternate ending and opening. Widescreen. Dolby 5.1 and DTS-HD 7.1 surround.
SUNDAY BLOODY SUNDAY (Criterion) Director John Schlesinger followed his Oscar-winning triumph with “Midnight Cowboy” with this 1971 critical darling, which many view as his finest hour behind the camera. A middle-aged doctor (Peter Finch) and a divorcee in her thirties (Glenda Jackson) both share the affections of a handsome bachelor (Murray Head). Considered one of the first mainstream films to deal openly with homosexuality and bisexuality, while it certainly isn’t daring by today’s standards, its honest look at the complexities and subtleties that form human relationships makes it as relevant, and contemporary, as ever. Fine work across the board from all involved, with Penelope Gilliatt’s screenplay one of the decade’s best. Bonuses: Interviews with D.P. Billy Williams, Head, production designer Luciana Arrighi, Schlesinger biographer William J. Mann, and his longtime partner, Michael Childers; 1975 audio interview with Schlesinger. Also available on Blu-ray disc. Widescreen. Dolby 1.0 mono.
THE FORGIVENESS OF BLOOD (Criterion) Director Joshua Marston, whose remarkable debut “Maria Full of Grace” looked at the drug trade in Colombia, moves his camera to contemporary northern Albania, a region still fueled by interfamilial blood feuds that have gone on for centuries. Story of a brother and sister who are caught up in a cycle of violence and betrayal due to their father’s feud with another clan is a powerful, unflinching and unsentimental look at the conflict between an ancient culture and the changing world around it. Bonuses: Commentary by Marston; Interviews with cast and crew; Trailer. Also available on Blu-ray disc. Widescreen. Dolby and DTS-HD 5.1 surround.
THE DO-DECA-PENTATHALON (20th Century Fox) Estranged brothers (Steve Zissis, Mark Kelly) reconnect at a family reunion and decide to compete in a 25 event competition of increasingly infantile and bizarre events to determine who is the better man. Written and directed by the Duplass Brothers, your enjoyment of this broad brand of humor will depend on how you reacted to their earlier features, such as “Cyrus.” Also available on Blu-ray disc. Bonuses: Featurettes. Widescreen. Dolby and DTS-HD 5.1 surround.
30 BEATS (Lionsgate) An ensemble of New Yorkers’ lives interconnect through a series of sexual encounters during a summer heat wave. Paz de la Huerta, Justin Kirk, Lee Pace, Thomas Sadoski, and Jennifer Tilly headline the group in this interesting, Robert Altman-esque tableaux. Bonuses: Trailer. Widescreen. Dolby 5.1 surround.
GENERAL EDUCATION (Well Go USA) Levi Collins (Chris Sheffield s set to go to the local University on a tennis scholarship, but he forgot to tell his parents one thing - he didn't graduate. As a result, he must take summer school before his mom and dad discover he's failed senior science. Comedy vets Janeane Garofalo and Larry Miller do their best to raise this wan comedy to an acceptable level of “ha!” but even their gravitas does little to help. Bonuses: Commentary by filmmakers; Outtakes; Featurettes; Trailer. Also available on Blu-ray disc. Widescreen. Dolby and DTS-HD 5.1 surround.
LOLA VERSUS (20th Century Fox) Greta Gerwig plays the titular character, a 29 year-old Manhattanite whose impending marriage to her dream boy (Joel Kinnaman) shatters when he dumps her shortly before the nuptials are to take place. Lola then decides to spend the remainder of her twenties following the advice of her friends and eccentric parents, seizing the day and experiencing the nectar of life. Awkward blend of comedy, pathos and character study has some endearingly sweet and silly moments, but ultimately is a bit too self-consciously hip for its own good, as are many works of the so-called “Mumblecore” school. Folks in the same demographic as the characters depicted might really resonate, others beware. Also available on Blu-ray disc. Bonuses: Deleted scenes and alternate ending; Outtakes; Featurettes; Commentary by co-director/co-writer Daryl Wein and actor/co-writer Zoe Lister-Jones. Widescreen. Dolby and DTS-HD 5.1 surround.
THE BEST EXOTIC MARIGOLD HOTEL (20th Century Fox) A group of British seniors (Judi Dench, Bill Nighy, Maggie Smith, Tom Wilkinson) decide to pool their dwindling resources and buy a resort hotel in India, only to arrive and find it’s hardly the glamorous, old world spot they were promised, but a dilapidated shell almost beyond repair. When they decide to fix the place up, they find new lease on life as well as some romance in the air. Delightful comedy is sure to warm the hardest of hearts. Also available on Blu-ray disc. Bonuses: Featurettes. Widescreen. Dolby and DTS-HD 5.1 surround.
THE COURIER (Well Go USA) Jeffrey Dean Morgan plays the titular role, a tough guy who delivers, in this instance, a simple briefcase, for which he is paid a cool million. Morgan soon finds himself pursued by half the world’s population, it seems, all of them heavily-armed and seeking not only the briefcase, but his blood and that of his new partner (Josie Ho). Slam-bang action from Oscar-winning director Hany Abu-Assad, co-stars Mickey Rourke, Til Schweiger. Also available on Blu-ray disc. Bonuses: Featurette; Extended/deleted scenes; Trailer. Widescreen. Dolby and DTS-HD 5.1 surround.
IN THE MOOD FOR LOVE (Criterion) Wong Kar Wai’s masterpiece of ships passing in the night. Set in 1962 Hong Kong, two neighbors (Tony Leung Chui-wai and Maggie Cheung) have passing, friendly exchanges until a discovery about their spouses creates an instant bond between them. The best depiction of heartache and unrequited love ever put to film, given a lush visual style by cinematographer Roddy Doyle that’s obviously influenced by the style of Douglas Sirk. A tremendous cinematic achievement, not to be missed. Also available on Blu-ray disc. Bonuses: Documentary on the film’s production, directed by Wai; Deleted scenes, with Wai’s commentary; Short film by Wai; Archival interview; Featurettes; Trailers and TV spots. Widescreen. Dolby and DTS-HD 5.1 surround.
DELICACY (Cohen Media Group) Audrey Tautou as a woman whose boyfriend dies tragically, causing her to retreat into virtual seclusion until one day she kisses a stranger (Francois Damiens) impulsively. Charming and gentle meditation on love and loss, with damn-near perfect turns from the two leads. Also available on Blu-ray disc. Bonuses: Featurettes; Trailer. Widescreen. Dolby and DTS-HD 5.1 surround.
BAIT 3D (Anchor Bay) A tsunami shreds a small beach town where a disparate group of survivors (Xavier Samuel, Sharni Vinson, Julian McMahon among them) have taken refuge inside a grocery store. As they try to make their way to safety, they realize that Great White sharks are in their midst and the boys are ready for some lunch! As the sharks pick the survivors off (how else?) one-by-one, the group work together to defeat the uber-fishies. Yes, it’s as utterly preposterous and derivative as it sounds but…it’s also kinda fun. And the 3-D effects are quite good, particularly for home viewing. Bonuses: Storyboard gallery. Blu-ray 3D, Blu-ray, DVD combo pack. Widescreen. Dolby 5.1 and Dolby TrueHD 7.1 surround.
HYPOTHERMIA (Dark Sky Films) A man (Michael Rooker) takes his family ice fishing, only to encounter not only an obnoxious father and son with whom he’s had past unpleasant encounters, but something less-than-human that lurks beneath the ice and is hungering for human flesh. So-so “monster in the house” movie that’s raised up a few notches by a good cast, which also includes Blanche Baker and Greg Finley. Bonuses: Featurettes; Trailer. Widescreen. Dolby 5.1 surround.
PEACE, LOVE & MISUNDERSTANDING (IFC Films) A stressed-out yuppie (Catherine Keener) leaves her cheating husband and packs their two kids (Elizabeth Olsen and Chace Crawford), leaving NYC for Woodstock, NY., where her estranged hippie mother (Jane Fonda) resides on a sprawling farm. The expected truths and reconciliations follow in director Bruce Beresford’s awkward family dramedy, which never quite finds its center, in spite of a terrific turn by the ageless Fonda, who’s always mesmerizing when on-screen. She just needs a movie worthy of her incandescent talents. Also available on Blu-ray disc. Bonuses: Featurette; Trailer. Widescreen. Dolby and DTS-HD 5.1 surround.
FLYING SWORDS OF DRAGON GATE 3D (Vivendi) Jet Li stars in this kinetic period adventure, helmed and written by iconic Hong Kong director Tsui Hark, this is a quasi-sequel to the classic “Dragon Inn,” from 1967, set three years after that film’s story ended. Former innkeeper Jade has disappeared and a new inn has risen from the ashes - one that's staffed by marauders masquerading as law-abiding citizens, who hope to unearth the fabled lost city buried in the desert. Film works best when, forgive me, the characters aren’t explaining themselves and their backstories (ostensibly to those audience members too young to have seen the first film, which isn’t necessary to enjoy this one). The eye candy and the action are simply spectacular, even more so in 3-D. Don’t think too much about it, just sit back and enjoy the razzle-dazzle. Available as Blu-ray 3D/Blu-ray combo. Bonuses: Featurettes. Widescreen. DTS-HD 5.1 surround.
ROCK OF AGES (New Line) L.A., 1987, the end of the so-called “hair metal” era, finds the Bourbon Club, once the scene of much Sunset Strip debauchery in its heyday, in dire straits. Hoping a benefit concert by club alumni-turned-rock icon Stacie Jaxx (Tom Cruise) will help resurrect the club to its former glory, only to have a newcomer fresh off the bus take the stage when Stacie doesn’t show. What should have been a riotous, ribald, risqué send-up of the 1980s and all its numerous extremities, falls flatter than a pancake almost from the first frame. Terrific period soundtrack is the only thing that saves it from being a complete disaster. Dream cast includes Cruise, Alec Baldwin, Paul Giamatti, Malin Ackerman, Russell Brand, Bryan Cranston, Mary J. Bilge, Catherine Zeta-Jones and Julianne Hough. Also available on Blu-ray disc. Bonuses: Featurettes; Deleted and extended scenes; Outtakes; Music videos; Trailers and TV spots. Widescreen. Dolby and DTS-HD 5.1 surround.
THE SAMARITAN (IFC Films) Samuel L. Jackson has one of his best roles in years as Foley, a recently paroled con man who did 25 years for murdering his best friend and business partner. Determined to go straight in Toronto, Foley soon finds himself indentured to silky local crime boss (Tom Wilkinson, great as always) who recruits Foley for a final lucrative con in exchange for sparing his life. Rock-solid modern noir tale isn’t perfect, but being damn good these days is almost enough. Also available on Blu-ray disc. Bonuses: Trailer. Widescreen. Dolby and DTS-HD 5.1 surround.
SOUND OF MY VOICE (20th Century Fox) Wunderkind actress/writer Brit Marling astounds once again in this tale of a filmmaker (Christopher Denham) and his girlfriend (Nicole Vicius) who set out to expose the charismatic leader of a cult (Marling), only to find themselves in increasing danger. Director Sal Batmanglij co-wrote the script with Marling. A taut, intelligent thriller. Also available on Blu-ray disc. Bonuses: Featurettes. Widescreen. Dolby and DTS-HD 5.1 surround.
THE LADY (Cohen Media Group) Luc Besson helms this true story Burmese icon Aung San Suu Kyl, the woman at the core of the country’s democracy movement and her husband Michael Aris (David Thewlis), and how their love endured through years of separation due to her imprisonment. Fascinating and, oddly enough for Besson, very deliberately paced. A fine, intelligent historical drama, the type we need more of! Bonuses: Featurettes; Trailer. Also available on Blu-ray disc. Widescreen. Dolby and DTS-HD 5.1 surround.
CHILDREN OF PARADISE (LES ENFANTS DU PARADIS) (Criterion) Widely considered the greatest French film ever made, this sprawling, 190 minute epic depicts 19th century Paris’ theatrical demimonde. Shot surreptitiously during the Nazi occupation of WW II, story follows a mysterious woman (Arletty) loved by four different men (all based on historical figures). Director Marcel Carne and screenwriter Jacques Prevert bring an amazing world to vivid life in this classic, which feels as fresh today as it must have in 1945. Not to be missed. Also available on Blu-ray disc. Two-disc set bonuses include: Audio commentaries by film scholars Brian Stonehill and Charles Affron; 2011 restoration of the film; Video intro by Terry Gilliam; Restoration demonstration; Featurettes; 2009 documentary on the film’s production; 1967 Dutch documentary on the film, featuring interviews with surviving cast and crew. Full screen. Dolby 1.0 mono.
LES VISITEURS DU SOIR (Criterion) Another classic from director Marcel Carne, this 1942 production tells the medieval tale of two strangers (Arletty and Alain Cuny) dressed as minstrels who arrive at a castle in advance of court festivities and are revealed to be emissaries of the devil, dispatched to spread heartbreak and suffering. Their plans are thwarted by an unforeseen factor: human love. Moving, funny and still-relevant tale of love conquering all. Also available on Blu-ray disc. Bonuses: 2009 documentary on film’s production; Trailer. Full screen. Dolby 1.0 mono.
EATING RAOUL (Criterion) Paul Bartel wrote (with Richard Blackburn) and directed this blackest of comedies starring himself and muse Mary Woronov as a prudish couple who feel put upon by swingers living amongst them in their apartment building. When they discover an ingenious method of ridding the world of the “perverts” living down the hall, the couple open a restaurant which makes a literal killing with its unusual entrees. Hilarious and barbed, filled with laughter that will sting in your throat. Also available on Blu-ray disc. Bonuses: Commentary by Blackburn, production designer Robert Schulenberg, editor Alan Toomayan; Two shorts by Bartel; Documentary on film’s production; Gag reel and outtakes; Archival interviews; Trailer. Widescreen. Dolby 1.0 mono.
THE GAME (Criterion) Michael Douglas plays the repressed scion of a wealthy San Francisco family whose money and power have helped him create his own personal prison. When his ne’er do well younger brother (Sean Penn) buys him a “game” for his birthday, Douglas suddenly finds himself at the center of a vast, labyrinthine conspiracy against…himself. Director David Fincher cemented his reputation (after sleeper hit “Se7en”) with this elegant, twisting thriller that is the best depiction of a Kafkaesque universe ever put to film. Deborah Kara-Unger is excellent as Douglas’ reluctant gal Friday. Also available on Blu-ray disc. Bonuses: Alternate 5.1 surround mix optimized for home theater viewing; Commentary by Fincher, D.P. Harris Savides, Douglas, writers Jon Brancato and Michael Ferris, and other key crew members; Featurettes; Film-to-storyboard comparisons; Alternate ending; Trailer and teaser, with commentary. Widescreen. Dolby and DTS-HD 5.1 surround.
DRUNKBOAT (Virgil Films) Coming-of-age film based on writer/director Bob Meyer’s teen years in Chicago finds adolescent Abe (Jacob Zachar) who cons his alcoholic uncle (John Malkovich) to buy a boat from a shyster named Mr. Fletcher (John Goodman) while his mother (Dana Delaney) is out of town. Charming film with some very serious undertones, a real homerun for Meyer. Bonuses: Trailer. Widescreen. Dolby 5.1 surround.
LAST RIDE (Music Box Films) Hugo Weaving gives the performance of his career as an embittered criminal who kidnaps his 10 year-old son and heads into the Australian outback, on the run from the law. Many critics coined this “an Aussie ‘Badlands,’” and the comparison isn’t far off: both tender and jarringly brutal, “Last Ride” is one of the best dramas to come from Down Under in a long time. Bonuses: Commentary by director Glendyn Ivin; Short films; Featurettes; Documentary. Widescreen. Dolby 5.1 surround.
THE CUP (Lionsgate) Winning true story of Damien Oliver, a young jockey (Stephen Curry) who takes his brother’s place in the Melbourne Cup after he dies in a tragic accident, just as their father had years earlier. Brendan Gleeson is terrific as Irish trainer Dermot Wald, who does his best to get the lad and his steed in shape in time for the race. Film works well because it avoids the sentimentality that sinks most inspirational sports movies. Bonuses: Featurettes. Widescreen. Dolby 5.1 surround.




DON’T TOUCH THAT DIAL!

MAD MEN: SEASON FIVE (Lionsgate) The denizens of Sterling-Cooper-Draper-Price return, this time facing the truths and reconciliations of 1965-66 and the changing manners and morays of a society in what seems like constant flux. Stellar cast includes Jon Hamm, Christina Hendricks, John Slattery, Damien Harris, Vincent Kartheiser, Robert Morse and many more performers, all at the top of their game. Among the usual themes of lust, adultery, and the gray moral area in which we all tread, Jaguar automobiles play a prominent role, as does the tragic passing of one of the firm’s most crucial players. Series creator/writer Matthew Weiner continues to dazzle with his subtle blend of drama, satire and pathos. 3-disc set contains 13 episodes. Also available on Blu-ray disc. Bonuses: Featurettes; Newsweek Magazine digital gallery; Commentary by Weiner, cast and crew. Widescreen. Dolby and DTS-HD 5.1 surround.
DOWNTON ABBEY: SEASONS ONE & TWO (PBS) The first two seasons of the hit series set in and around the ancestral home of the Earl and Countess of Grantham (Hugh Bonneville and Elizabeth McGovern) and their daughters, all of whom live under the watchful eye of the Dowager Countess (Maggie Smith). Beautifully recreates the early 20th century and the events which helped shape it. One of PBS and Masterpiece Theater’s finest hours. Also available on Blu-ray disc. Bonuses: Featurettes. Widescreen. Dolby 2.0 stereo.
20th Century Fox releases a host of new titles, including HOW I MET YOUR MOTHER: THE COMPLETE SEASON 7, which has Marshall and Lily moving away to start a family, Ted continuing to search for the woman of his dreams and Robin revealing a shocking secret. Great fun. Bonuses: Featurettes; Deleted scenes; Gag reel; Commentary by cast and crew on select episodes. NEW GIRL: THE COMPLETE FIRST SEASON stars Zooey Deschanel as free-spirited optimist Jess, who moves in with three bachelors (Lamorne Morris, Jake Johnson, Max Greenfield) after a bad breakup and must navigate not only the minefield of single life again, but living among three disparate, and often difficult, single guys. Bonuses: Commentary on select episodes; Featurettes; Deleted and extended scenes: Gag reel. MODERN FAMILY: THE COMPLETE THIRD SEASON offers more adventures of the Pritchett/Dunphy clan as they face an uproariously unpredictable array of family vacations, holiday hassles, troublesome in-laws and surprising secrets. Winner of eleven Emmy awards. Also available on Blu-ray disc. Bonuses: Deleted and alternate scenes; Featurettes; Gag reel. DTS-HD 5.1 surround. TERRA NOVA: THE COMPLETE SERIES offers high sci-fi adventure in the year 2149 when humanity is in the final throes of extinction. Those fortunate enough to survive are able to travel 85 million years back in time to an outpost called Terra Nova, where the Shannon family are grateful to survive, but must fend off hungry dinosaurs and mysterious forces that conspire to destroy the entire experiment. Bonuses: Deleted scenes; Featurettes; Gag reel; Commentary on select episodes. All are widescreen, Dolby 5.1 surround unless otherwise noted.
HAMMER HOUSE OF HORRORS (Synapse Films) Hugely popular anthology series from the UK held the top spot in the ratings during most of 1980, and it’s easy to see why. Imagine a sort-of R-rated version of “The Twilight Zone” and you’ll not want to miss these 13 episodes of terror, twists and real scares. Featuring appearances from vets like Peter Cushing and Denholm Elliott, as well as early turns from future stars like Pierce Brosnan. Five disc set bonuses include: Introduction by film historian Shane M. Dallmann; Featurettes; Still gallery. Full screen. Dolby 2.0 mono.
WHAT COLOR IS LOVE? (New Video/Lifetime) Inspired by a true story of an affair between Ty (Roger Cross), a black pro-basketball star and Nicole (Jennifer Finnegan), a Caucasian woman. When Nicole becomes pregnant with their mixed-race son, a huge court battle ensues. Definitely a TV-movie, with all the shortcomings that implies, but strong performances by the two leads keep it afloat. Widescreen. Dolby 2.0 stereo.
THE FIRM: THE COMPLETE SERIES (eOne) Based on John Grisham’s best-seller, Josh Lucas takes the reins from Tom Cruise as Mitch McDeere, the idealistic young attorney who took on the mob and the law firm they owned in the original story. Series takes up ten years later, with Mitch and his family emerging from Federal Witness Protection, only to find that old threats from their past are still lurking in the shadows. Also stars Molly Parker, Juliette Lewis, and Callum Keith. Bonuses: Featurettes. Widescreen. Dolby 5.1 surround.



DOCUMENTARY DAYS

GHOSTS OF THE ABYSS 3D (Disney) James Cameron’s eye-popping documentary featuring “Titanic” actor Bill Paxton and a team of the world’s greatest historical and marine experts journeying back to the actual wreck site of the HMS Titanic. With large sections of the ship nearly perfectly-preserved in the freezing waters that have been its watery grave for a century, Cameron’s cameras give viewers the opportunity for one of the great voyeuristic cinematic experiences as the ghostly exterior and interior of the ship are revealed for the first time since its sinking in 1912. The 3D effects are truly dazzling, even on home video, and just add to the film’s majesty. Cameron is quite simply a master of cinema, regardless of the genre where he hangs his hat. Bonuses: Extended and theatrical versions; Featurettes and bonus footage. Blu-ray 3D/Blu-ray/DVD combo pack. Widescreen. Dolby and DTS-HD 5.1 surround.
TO WHOM IT MAY CONCERN: KU SHEN’S JOURNEY (Virgil Films) The story of Nancy Kwan, Hollywood’s first Asian “it” girl, is explored in this fascinating documentary, following the Eurasian beauty’s early days in Hong Kong, to her education in England, to being catapulted to stardom at age 21 in “The World of Suzie Wong,” starring opposite William Holden. Following with the hit musical “The Flower Drum Song” a year later, Kwan would never recapture the success of her salad days. Terrific blend of Hollywood history, fate, and sociology, featuring interviews with Kwan, her friends and family and rare film clips spanning her career. Bonuses: Trailer; Photo gallery; Watercolor art gallery. Widescreen. Dolby 2.0 mono.
ADVENTURES IN PLYMPTOONS! (Cinema Libre Studio) The life and work of legendary animator Bill Plympton, whose work has been a centerpiece of the animation world since debuting with his inimitable “Plymptoons” political cartoons were nationally syndicated in 1981. Interviews with Plympton himself as well as colleagues and friends such as Terry Gilliam, David Silverman, Tom Kenny, Matthew Modine, Martha Plimpton and many more. Bonuses: Featurettes; Deleted scenes; Trailers. Widescreen. Dolby 2.0 mono.
THE LOVERS’ GUIDE (Truemind) Two volumes (“The Lovers’ Guide: The Original Collection,” “The Lovers’ Guide: The Essential Collection”) offering advice from sex experts Dr. Sarah Brewer, Dr. Sarah Humphrey, Dr. Dawn Harper and author Tracey Cox, all of whom explore sexual techniques and skills designed to take viewers to new heights of passion and intimacy. Each set contains five discs that cover a variety of topics. Widescreen. Dolby 2.0 stereo.
THE BEST OF PBS The Public Broadcasting System releases a new host of titles this month, beginning with MARIACHI HIGH, which takes a look at a year in the life of the champion mariachi ensemble at Zapata High School on the Rio Grande in South Texas. JOHN LEGUIZAMO: TALES FROM A GHETTO KLOWN is a record of the actor/comedian’s one-man show on Broadway and the trials and tribulations that went into mounting it. Fascinating look at not only the artistic process, but the incredible amount of intense work it takes to bring that process to the stage. Leguizamo is a dynamo for the ages. ALASKA GOLD looks at the Bristol Bay region of southwest Alaska, which is home to the last great wild Sockeye salmon fishery in the world and also is home to an enormous mineral deposit cache: one worth over a billion dollars. This “Frontline” episode examines the battle between conservationists who want to keep the land intact and the mining companies who want to purge it for its natural resources. THE DAY CARL SANDBURG DIED looks at the life and work of the iconic American poet. Features interviews with legendary figures such as Pete Seeger, Norman Corwin, Studs Terkel, and Marc Kelly Smith. Bonuses: Extra interviews. ORANGUTAN DIARIES takes a look at the effort to save our closest simian relatives in the Borneo rainforest at the Borneo Orangutan Sanctuary. With over 600 animals being cared for at the facility, most of whom led difficult lives before being rescued, either from poachers or fleeing the vanishing rain forest around them, the staff have their hands full. Fascinating and touching. Two-disc set. ENDGAME: AIDS IN BLACK AMERICA is a “Frontline” episode that looks at the AIDS virus in the African-American community, which if it were a country unto itself, would have the 16th worst epidemic in the world. Sobering and tragic look at a situation that could have been avoided had our government tackled the AIDS issue earlier. Finally, I’M CAROLYN PARKER: THE GOOD, THE MAD AND THE BEAUTIFUL is a film by Oscar-winner Jonathan Demme about the titular woman, who in addition to being a former Civil Rights activist, a successful cook-turned-chef and survivor of the Jim Crow south, was the last person to leave the lower ninth ward of New Orleans during Hurricane Katrina. An inspiring look at the resilience of the human spirit, told by a master filmmakers. All titles are widescreen, Dolby 2.0 stereo.
ART, MUSIC AND POP CULTURE are examined in a series of new releases, among them: PLAY IN THE GRAY, from Planted Seeds Productions, which takes a penetrating, raw look at the members of All the Kings Men, a drag cabaret theater troupe based out of Boston and their struggles to make it. LEMON, from Cinema Libre and produced by Russell Simmons, looks at three-time felon and Tony Award winner Lemon Andersen and his struggle for personal and professional survival. Features interviews with luminaries such as Spike Lee, Kanye West, Mos Def, Talib Kweli and Aloe Blacc. MARINA ABRAMOVIC: THE ARTIST IS PRESENT, from Music Box Films/HBO, looks at the titular performance artist who has used herself as her primary performance instrument for over forty years, creating art that has challenged, shocked and moved audiences the world over. Bonuses: Featurettes; Exhibition gallery. Widescreen. Dolby 5.1 surround. BEATLES STORIES is a priceless collection of interviews with people from all walks of life who crossed paths with the Fab Four during their reign as kings of the pop world in the 1960s. From Ben Kingsley to Sir George Martin to Beach Boy Brian Wilson to regular folks next door, songwriter/filmmaker Seth Swirsky captures the essence of Beatlemania in this terrific look back. Bonuses: Extra interviews; Commentary by Swirsky. Widescreen. Dolby 2.0 mono. CIRCLE JERKS: MY CAREER AS A JERK (MVD) Filmmaker David Markey looks at the lives and career of legendary California punk band The Circle Jerks, incorporating in-depth interviews with archival footage and rare live footage, to explore a unique time in American popular culture. Bonuses: Deleted scenes and bonus interviews. Widescreen. Dolby 2.0 stereo. JUST AROUND THE CORNER (Virgil Films) looks at the life of Bob Benjamin who, after being diagnosed with Parkinson’s disease at age 38, recruited many of his friends in the music world to help him fight the disease through a series of benefit concerts that continue to this day. Bruce Springsteen, Michael J. Fox, Jesse Malin, Danny Clinch, Vincent Pastore and many others appear. NINA CONTI: HER MASTER’S VOICE (Virgil Films) is a look at the internationally-acclaimed ventriloquist, directed by herself, as she takes the bereaved puppets of her former lover and mentor Ken Campbell on a pilgrimage to “Venthaven,” the final resting place for puppets of dead ventriloquists. If it sounds odd and inaccessible, it’s not, but a very touching, sweet-natured valentine to a lost love and the codas that we all reach in life. Widescreen. Dolby 2.0 mono.
SPORTY STUFF this month includes GAMES OF THE XXX OLYMPIAD (NBC), a two-disc Blu-ray edition, featuring highlights from the summer 2012 games in London. Beautifully shot by the best cameramen in the business and a wonderful record of this seminal event. Bonuses: Featurettes; Athlete profiles. Widescreen. Dolby 2.0 stereo. A FOOTBALL LIFE: SEASON 1 (Vivendi) takes a look at NFL icons such as Bill Belechick, Kurt Warner, Walter Payton, Mike Ditka, Al Davis and many more. Loaded with great game footage and in-depth interviews. THE PITTSBURGH STEELERS: BEHIND THE STEEL CURTAIN examines the legendary football team and their storied beginning, through their glory days of the 1970s, to their present day lineup. Bonuses: Archival game footage. THE SAN FRANCISCO 49ers: TEAM OF THE ‘80s takes us back to the Niners’ glory days with coach Bill Walsh at the helm, implementing an offensive system that came to be known as “The West Coast Offense.” A must for all 49ers fans. Bonuses: Archival game footage. THE WORLD SERIES: HISTORY OF THE FALL CLASSIC (A&E) is a mammoth, four-disc set that offers a comprehensive chronicle of all the landmark moments of the Series’ history. Narrated by Bob Costas, and loaded with contemporary and archival interviews and game footage, a must-have for any serious fan or student of baseball. Bonuses: Featurettes. Wide and full screen, Dolby 2.0 stereo. THE ESSENTIAL GAMES OF THE MILWAUKEE BREWERS (A&E) offers four iconic games from the Brewers’ storied history: the 1982 ALCS game 5 vs. Cal, the 1982 World Series game 4 vs. St. Louis, the 2008 NL Wild Card Clincher vs. Chicago and the 2011 NLDS game 5 vs. Arizona. Bonuses: Featurettes and interviews. Widescreen and full screen. Dolby 2.0 stereo.



FOR THE WEE ONES

CINDERELLA: DIAMOND EDITION (Disney) Walt Disney’s animated classic about the “fairest of them all,” a young girl raised by her cruel stepmother and given redemption by a Fairy Godmother so she can win the hand of a handsome prince at the Royal Ball. Gloriously restored and remastered with state-of-the-art digital technology, and offered in a Blu-ray/DVD combo pack. A must-own for all cinema buffs! Bonuses: Alternate opening sequence; Animated short; Featurettes; Digital storybook. Full screen. Dolby 5.1 and DTS-HD 7.1 surround.
BATMAN: THE DARK KNIGHT RETURNS PART 1 (Warner Bros.) All-new animated adventure which has an aged, weathered Caped Crusader coming out of retirement, doing battle with Harvey “Two Face” Dent. Stellar voice work by Peter Weller, Ariel Winter and David Selby, with eye-popping animation offering a gritty, dark take on Gotham City and the Batman legend. Also available on Blu-ray disc. Bonuses: Digital comic: Featurettes; 2 bonus cartoons. Widescreen. Dolby and DTS-HD 5.1 surround.
THE MAGIC SCHOOL BUS: THE COMPLETE SERIES (Scholastic) Eight disc set offers all 52 episodes of the hit kids’ series, featuring Ms. Frizzle, teacher extraordinaire, and her enthusiastic students as their magic school bus takes them on cliff-hanging field trips inside the human body, back to prehistoric times, far out into space and everywhere else in between. All four seasons of the Emmy-winning series are offered, along with a bonus 24 page activity booklet. Full screen. Dolby 2.0 mono.
DORA’S ROYAL RESCUE (Paramount/Nickelodeon) A double-length episode of the hit TV show feature Dora as a lady knight and her squire, Boots, embark on a noble quest to help Rocinante the Horse save Don Quixote, who has been locked away in Story Castle by the evil Malambruno. Fun and educational for the little ones. Bonuses: Bonus episode. Full screen. Dolby 2.0 stereo.
IRON MAN ARMORED ADVENTURES: SEASON 2 VOL. 2 (Vivendi) The continued animated adventures of Tony Stark and his high-tech suit of armor has Iron Man clashing with arch-enemy Doctor Doom, who has his sights set on the Iron Man tech Stark has invented. Also featuers Iron Man’s first meeting with Black Widow and Hawkeye. Great fun, especially for comics fans. Bonuses: Artwork gallery. Widescreen. Dolby 5.1 surround.
Shout Factory releases three kid-friendly titles: VR TROOPERS: SEASON ONE VOLUME ONE offers the freshman season of the 1994 series of three teenagers who gain the power to transform into superheroes: the VR Troopers, who have been chosen to defeat the evil Grimlord. 26 episodes on three discs. BIG BAD BEETLEBORGS SEASON ONE VOLUME ONE is sparked by three kids exploring Charterville’s haunted Hillhurst Mansion on a dare, only to discover a wild, wacky creature named Flabber, who grants their wish to become superheroes. 27 episodes on 3 discs. TRANSFORMERS RESCUE BOTS features the Transformers performing good deeds off the coast of Maine, teaming with a family of first responders. All titles should please the little ones in your house. Widescreen. Dolby 2.0 stereo.
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Thursday, 4 October 2012

DVD Playhouse--Dec. 2012/Jan. 2013

Posted on 19:15 by Ratan





By Allen Gardner

KILLER JOE (Lionsgate) William Friedkin’s film of Tracy Letts’ off-Broadway hit about a family of Texas trailer park cretins (Emile Hirsch, Juno Temple, Thomas Haden Church, Gina Gershon) who hire a cop-cum-hitman (Matthew McConaughey) to take out their troublesome mother, then foolishly cross him, is a stinging satire, given double-barreled audacity by Friedkin’s sure, and fearless, directorial hand. Earning its NC-17 rating in spades, “Killer Joe” reminds us that daring, frank material like this is why movies exist in the first place. McConaughey gives the performance of his career, hopefully redefined after this. Also available on Blu-ray disc. Bonuses: Featurettes; Commentary by Friendkin; Trailer. Widescreen. Dolby and DTS-HD 5.1 surround.
THE DARK KNIGHT RISES (Warner Bros.) Christopher Nolan’s coda to his “Batman” trilogy finds Christian Bale returning as a brooding Bruce Wayne/Caped Crusader, this time faced with a hulking villain (Tom Hardy) with respiratory issues who threatens Gotham City with destruction if his demands aren’t met. Anne Hathaway and Marion Cotillard provide attractive love interests for our hero, along with fine supporting turns from the likes of Michael Caine, Gary Oldman, Joseph Gordon-Levitt and Morgan Freeman. Masterful filmmaking across the board, although Nolan and company have hard act to follow after the brilliance and near-perfection of “The Dark Knight,” featuring Heath Ledger’s swan song, Oscar-winning turn. All said and done, a fine wrap up to the greatest super hero franchise committed to film. Also available on Blu-ray disc. Bonuses: Over three hours of featurettes; Deleted scenes; Commentary by cast and crew; Photo and storyboard galleries; Trailers and TV spots. Widescreen. Dolby and DTS-HD 5.1 surround.
ARBITRAGE (Lionsgate) Richard Gere gives the performance of his career (hopefully recognized by Oscar) as an amoral hedge-fund tycoon who finds his mettle tested after a tragic car accident throws all his carefully-laid plans into disarray. A perfect metaphor for the financial crisis and the people who made it happen, Gere is ably backed by a stellar cast, including Susan Sarandon as his long-suffering wife, Tim Roth as an over-zealous cop and the incandescent Brit Marling as his savvy daughter. Fine work from writer/director Nicholas Jarecki. A knockout of a movie. Also available on Blu-ray disc. Bonuses: Commentary by Jarecki; Featurettes; Deleted scenes. Widescreen. Dolby and DTS-HD 5.1 surround.
HEAVEN’S GATE (Criterion) Michael Cimino’s sprawling epic about the Johnson County, Wyoming range wars of 1892 was the biggest financial disaster of its day in 1980 and marked the end of the “auteur” era in American filmmaking. Restored here to its original 216 minute running time, the film is full of gorgeously photographed set pieces, brutal action and fine performances from an all-star cast (Kris Kristofferson, Jeff Bridges, Isabelle Huppert, John Hurt, Sam Waterston, Brad Douriff, Joseph Cotton and a young Mickey Rourke, to name a few), but remains a bloated, overlong symbol of excess. That said, the good outweighs the bad and the film is worth a view for the grandiosity it attempts, and often succeeds, in reaching. Also available on Blu-ray disc. Two-disc set. Bonuses: Illustrated audio interview with Cimino and producer Joann Carelli; Interviews with Kristofferson and crew members; Restoration demonstration; Teaser and TV spot. Widescreen. Dolby and DTS-HD 5.1 surround.
LIBERAL ARTS (IFC Films) Writer/director Josh Radnor stars as a disaffected college admissions advisor who returns to his alma mater to teach, quickly falling back in love with the college life he left behind years earlier. When he meets a bright, beautiful 19 year-old student (Elizabeth Olsen) he finds himself in a moral quandary about whether to pursue a relationship with this kindred spirit, or return to the “real world.” Terrific, honest little film never has a false note. Olsen is quickly proving to be her generation’s finest actress. Nice support from Richard Jenkins, Allison Janney and Elizabeth Reaser. Bonuses: Commentary by Radnor; Featurette; Deleted scenes; Trailer. Also available on Blu-ray disc. Widescreen. Dolby and DTS-HD 5.1 surround.
TROUBLE WITH THE CURVE (Warner Bros.) Clint Eastwood stars as an aging baseball scout who reconnects with his estranged daughter (Amy Adams) ostensibly to recruit a hot batting prodigy, while trying to keep younger rivals (Justin Timberlake) at bay. John Goodman is a hoot is a small, but pivotal supporting role. Pleasant enough dramedy, helmed by Eastwood’s longtime producer Robert Lorenz, but Eastwood saves it single-handedly from what could have been TV-movie status. Worth a look, particularly for fans of Clint. Also available on Blu-ray disc. Bonuses: Featurettes; Commentary by cast and crew; Deleted scenes; Trailers. Widescreen. Dolby and DTS-HD 5.1 surround.
FOLLOWING (Criterion) Christopher Nolan made his writing/directing debut with this indie feature puzzler, shot in 16mm black & white, about an unemployed young writer who stalks strangers throughout London, hoping they’ll provide fodder for his debut novel, getting more than he bargains for when they lead him down a dark path that spirals out of control. Stunning debut which, although its meager budget cracks the seams at times, was a sign of things to come, much like the early work of Stanley Kubrick. Also available on Blu-ray disc. Bonuses: Commentary by Nolan; Interview with Nolan; Chronological edit of the film; “Doodlebug,” a Nolan short film; Trailers. Full screen. Dolby 1.0 mono.
HOPE SPRINGS (Sony) Tommy Lee Jones and Meryl Streep as a long-married couple who find their relationship has gone stale. When Streep signs them up for counseling sessions with legendary marriage therapist Steve Carell, Jones grumbles his curmudgeoney best the entire way. Writer Vanessa Taylor and director David Frankel have fashioned a likeable, if forgettable, light comedy, which is raised several notches by the two leads. Carell’s role is painfully underwritten. Streep is almost unrecognizable playing a matronly shrinking violet. Bonuses: Gag reel; Featurettes; Alternate takes reel; Commentary by Frankel. Widescreen. Dolby 5.1 surround.
MEN IN BLACK 3 (Sony) Agent J (Will Smith) and Agent K (Tommy Lee Jones) return to keep evil alien life forms from taking over the planet, only to stumble upon a crisis that sends J back in time to 1969 to prevent K’s assassination. Turns out the young K (Josh Brolin, excellent) is just as uptight as the old version. Welcome return to form for the series, which stumbled badly with its second installment. This time, the mix of humor, adventure and sci-fi is back and running. Bonuses: Featurettes; Gag reel; Music video by Pitbull. Widescreen. Dolby 5.1 surround.
FAREWELL MY QUEEN (Cohen Media Group) Based on the best-selling novel by Chantal Thomas, Lea Seydoux stars as one of Marie Antoinette’s (Diane Kruger) ladies in waiting, a cunning lass who schemes her way into the queen’s inner circle, only to have history intercede with other plans. Sumptuous film of the “Upstairs, Downstairs” variety, elegantly done. Bonuses: Interviews with cast and crew; Trailer. Widescreen. Dolby 5.1 surround.
COSMOPOLIS (eOne) Robert Pattison plays Eric Packer, a young billionaire asset manager who works out of his stretch limo, traveling across New York City remotely wagering his company’s fortune on a bet against the Chinese Yuan and encountering a variety of the city’s denizens. Writer/director David Cronenberg, of whom I’m usually a big fan, has crafted something so esoteric this time out that it’s nearly incomprehensible, at least to yours-truly, and he just might be playing the whole thing for laughs. I was never quite sure. Able supporting cast includes Juliette Binoche, Sarah Gordon, Mathieu Amalric, Jay Baruchel, Kevin Durand, Samantha Morton and Paul Giamatti. Also available on Blu-ray disc. Bonuses: Commentary by Cronenberg; Featurettes. Widescreen. Dolby and DTS-HD 5.1 surround.
THE POSSESSION (Lionsgate) A suburban couple (Jeffrey Dean Morgan, Kyra Sedgwick) find their young daughter becoming obsessed with an antique wooden box she purchased at a yard sale. As her behavior becomes more erratic, and destructive, the concerned parents fear a malevolent force has entered their midst. Solid thriller is no match for the “The Exorcist,” but is still head and shoulders above the score of imitators that classic has inspired over the years. Strong cast helps. Bonuses: Commentary by director Ole Borendal, writers Juliet Snowden and Stiles White; Featurette; Trailer. Also available on Blu-ray disc. Widescreen. Dolby and DTS-HD 5.1 surround.
THE MAN WHO KNEW TOO MUCH (Criterion) Alfred Hitchcock’s 1934 hit (which he remade in 1956) about a vacationing couple in Switzerland whose daughter is kidnapped by spies plotting a political assassination. Featuring Peter Lorre’s first turn in an English-language role as one of the screen’s most despicable villains, this scaled down, much darker version of the film is preferred by most Hitchcock purists to the James Stewart/Doris Day version, which was sanitized for the American market. Bonuses: Commentary by film historian Philip Kemp; Interview with filmmaker Guillermo del Toro; 1972 interview with Hitchcock by Pia Lindstrom (daughter of Ingrid Bergman); Audio excerpts from Francois Truffaut’s 1962 interview with Hitchcock; Restoration demonstration. Full screen. Dolby 1.0 mono. Also available on Blu-ray disc.
PURPLE NOON (PLEIN SOLEIL) (Criterion) Rene Clement’s 1960 thriller, based on Patricia Highsmith’s best-selling novel, casts Alain Delon as human cypher Tom Ripley, charged with bringing carefree playboy Phillippe Greenleaf (Maurice Ronet) back to the U.S. after running off to Rome. A terrific tale of seduction, identity, and murder, many view this as the best turn of Delon’s storied career. Remade (brilliantly) by Anthony Minghella as “The Talented Mister Ripley,” forty years later. Also available on Blu-ray disc. Bonuses: Interview with Clement scholar/author Denitza Bantcheva; Archival interviews with Delon and Highsmith; Trailer. Widescreen. Dolby 1.0 mono.
THE QATSI TRILOGY (Criterion) Director Godfrey Reggio’s trilogy of visually hypnotic films, scored to the equally mind-bending music of Philip Glass, are some of the most immersive sensory experiences ever put on film, all mediations on the havoc mankind’s obsession with technology has wreaked on our world. Starting with 1983’s “Koyaanisqatsi,” to 1988’s “Powaqqatsi,” to 2002’s “Naqoqatsi,” Reggio takes us on a journey from the ancient to the contemporary, from nature to industry, exploring the life out of balance, in transformation, and as war, all the while keeping our eyes wide with wonder. Also available on Blu-ray disc. Bonuses: Interviews with Glass and Reggio; Featurettes; Deleted scenes. Widescreen. Dolby and DTS-HD 5.1 surround.
10 YEARS (Anchor Bay) Likable comedy about a group of friends (Channing Tatum, Jenna Dewan-Tatum, Rosario Dawson, Chris Pratt, Ari Graynor, Justin Long, Max Minghella, Lynn Collins, Oscar Isaac) reuniting for their ten year high school reunion. Writer/director Jamie Linden wisely doesn’t try to make more out of his slight story than it is, wisely playing it for gentle laughs and genuine pathos. Bonuses: Deleted scenes. Widescreen. Dolby 5.1 surround.
HARD ROMANTICKER (Artsploitation Films) Writer/director Gu Su-yeon’s semi-autobiographical novel about teen gang life in a Korean ghetto located in Japan is a tough, nasty modern noir. Shota Matsuda exudes James Dean-like cool as Gu, a Korean-Japanese thug living in the slums of Tokyo. When the grandmother of a rival gangster is accidentally killed, Gu finds himself the target of a vengeful mob, with the cops hot on his tail, as well. Unsparing in its depiction of urban decay, racism and street violence, but also unflinchingly honest. A filmmaker to watch. Bonuses: Trailer. Widescreen. Dolby 5.1 surround.
WHY STOP NOW (IFC Films) Jesse Eisenberg stars as a piano prodigy who must take his troubled mother (Melissa Leo) to rehab whilst en route to the most important audition of his life. Since she must test positive to enter, they make what should be a simple stop at her dealer’s (Tracy Morgan) house, only to have a comedy of errors ensue. Smart, bitter comedy full of laughs that will sting in your throat. Also available on Blu-ray disc. Bonuses: Interview with Morgan; Featurette; Trailer. Widescreen. Dolby and DTS-HD 5.1 surround.
HERMANO
(Music Box Films) Two slum kids in Caracas, Venezuela, raised as brothers, find themselves at a crossroads when a soccer scout wants to recruit them both, only to have an act of violence threaten to tear them apart. Tough, gritty picture is reminiscent of “City of God,” “Pixote,” and other harrowing stories of Latin American slum life. Bonuses: Commentary by director Marcel Rasquin; Trailer and TV spots. Widescreen. Dolby 5.1 surround.
THE ASSASSINS (Well Go USA) Superstar Chow Yun-Fat stars in this sprawling period epic, set in 198 B.C., as Cao Cao, the leader of the Han Dynasty. Covering over twenty years of the dynasty’s rule, turmoil behind the scenes threatens to undo Cao’s carefully laid plans as two young lovers are trained as assassins for a secret mission to kill the emperor and overthrow the government. Dynamite mix of history, action set pieces and romance, with Chow in fine form, as always. Also available on Blu-ray disc. Bonuses: Featurette; Trailer. Widescreen. Dolby and DTS-HD 5.1 surround.
SLEEPWALK WITH ME (IFC Films) Mike Birbiglia directed, co-wrote and stars in this charming indie comedy as a comedian who fails to express his true feelings about his girlfriend, only to have his anxiety released through a series of increasingly dangerous sleepwalking incidents. Co-starring Lauren Ambrose, Carol Kane, James Rebhorn, Cristin Milloti, plus a host of real-life stand-up comics, this is a charming romantic comedy, reminiscent of early Woody Allen. Also available on Blu-ray disc. Bonuses: Featurettes; Outtakes; Trailer; Commentary by Birbiglia and Ira Glass. Widescreen. Dolby and DTS-HD 5.1 surround.
THE WISE KIDS (Wolfe Video) Terrific coming of age picture about three kids who belong to the same Charleston, SC. Baptist church. Brea is an introspective pastor’s daughter experiencing debilitating doubt; Laura, who suffers from ADHD is a devout believer to an extreme and Tim, the son of a single father, is coming to terms with being gay. Tender-hearted, but also tough and honest in its depiction of growing pains. Bonuses: Featurettes. Widescreen. Dolby 5.1 surround.
DOOMSDAY BOOK (Well Go USA) Three-part anthology tale of end-of-the-world tales, helmed by Yim Pil-sung and Kim Jee-woon. Korea is ground zero for an undead pandemic, as one man’s rotten teeth bring about a zombie apocalypse. A high-tech repairman struggles as a robot finds his higher mind and challenges the idea of consciousness. And one family, one lost billiard ball and one misguided Internet order bring on the end of the world. Intoxicating mix of gross-out comedy and full-throttle horror, brought to life by two very inventive filmmakers. Also available on Blu-ray disc. Widescreen. Dolby and DTS-HD 5.1 surround.



BLU BAYOU

THE TIN DRUM (Criterion) Volker Schlondorff’s visionary adaptation of the Gunter Grass novel is one of the great anti-war/anti-Fascist works of the twentieth century. Young Oskar (David Bennett) is born wise beyond his years in 1924 Germany. With the rise of the Nazis ten years later, Oskar determines to stop growing, so as not to be corrupted by the evil he sees accumulating around him. This is Schlondorff’s director’s cut of the film, adding twenty minutes of footage previously excised, making his film even more impressive in its humanity and unblinking depiction of the evil that men do and how some are able to rise above and beyond it. Bonuses: Interviews with Schlondorff, cast and crew; German audio recording of Grass reading from the novel; Interview with film scholar Timothy Corrigan; Trailer. Widescreen. DTS-HD 5.1 surround.
BRAZIL (Criterion) Terry Gilliam’s manic dystopian nightmare has lost none of its punch since debuting twenty-eight years ago. Jonathan Pryce plays an everyman who finds his spirit being slowly crushed in a futuristic, Orwellian society, finding escape through his imagination and love for an unattainable dream girl (Kim Greist). Fine support from Robert De Niro, Bob Hoskins, Michael Palin, Ian Holm, Jim Broadbent and Katherine Helmond. Co-written by Gilliam, Tom Stoppard and Charles McKeown. 2 disc set bonuses include: Commentary by Gilliam; Documentaries “What is Brazil?” and “The Battle of Brazil.” Widescreen. DTS-HD 2.0 surround.
TWO LANE BLACKTOP (Criterion) Monte Hellman’s 1971 indie classic is the fine wine of nihilistic ‘70s road pictures. James Taylor and Dennis Wilson are itinerant drag racers who travel the back roads of a dying United States searching for someone to take on their ’55 Chevy hotrod. Laurie Bird is the girl who hooks up with them for a spell. Warren Oates, in what might be the performance of his storied career, is a middle-aged dropout on the same empty quest with his new Pontiac G.T.O. Hellman has managed to create a piece of pure cinema with this spare, unflinching look at the dissolution of the American Dream. Bonuses: Commentaries by Hellman, Allison Anders, screenwriter Rudy Wurlitzer, author David N. Meyer; Interviews with Hellman, cast and crew; Screen test outtakes; Featurettes; Photo and publicity gallery; Trailer. Widescreen. DTS-HD 5.1 surround.
THE WILD GEESE (Severin Films) Rip-snortin’ fun starring Richard Burton, Roger Moore, Richard Harris and Hardy Kruger as a quartet of mercenaries hired to free a deposed African president from a maximum security prison. When they are foolishly crossed by their employer, the fun really begins. Aptly described as a Brit version of “The Expendables,” this film won’t win any awards, but remains one of the greatest pure entertainments of the ‘70s. Also starring Stewart Granger, Jeff Corey, Barry Foster and Frank Finlay. Written by the great Reginald Rose (“12 Angry Men”) and helmed by the venerable Andrew V. McLaglen. Bonuses: Interview with McLaglen, military advisor Mike Hoare; Commentary by McLaglen, Moore, producer Euan Lloyd, second unit director John Glen, moderated by Jonathan Sothcott; “The Last of the Gentlemen Producers,” documentary on Lloyd; Featurettes; Premiere newsreel footage; Trailer. Widescreen. Dolby 2.0 mono.
ASHANTI (Severin Films) Michael Caine stars as a doctor with the World Health Organization whose gorgeous physician wife (Beverly Johnson) is kidnapped by modern day slavers in Africa. Will he be able to rescue her before being sold to a slimy Saudi prince (Omar Sharif)? Caine has denounced this film as the nadir of his career, which has had its share of low points, and he just might be right. Stunt casting of aging stars (William Holden, Rex Harrison, Peter Ustinov) and a strong pedigree behind the camera (script by Stephen Geller, directed by Richard Fleischer) must have looked great on paper, but is a disaster in execution. Bonuses: Interview with Johnson; Trailer. Widescreen. Dolby 2.0 mono.
JACKIE CHAN DOUBLE FEATURE (Shout Factory) Two of Chan’s biggest hits on both sides of the pond arrive on a single Blu-ray: “Crime Story” kicked off what might be Chan’s greatest franchise, playing a police detective on the edge who must solve a deadly kidnapping case. Possibly Chan’s finest hour, not only as a martial artist and acrobat, but as an actor, as well. Hugely influential film continues to be felt in today’s action pictures. “The Protector” isn’t in nearly the same class, but still has plenty of good fun. Chan co-stars with Danny Aiello as a pair of NYPD cops sent to Hong Kong to bring down a drug lord who has kidnapped the daughter of a former associate. Bonuses: Interviews with cast and crew; Deleted scenes; Trailers; Featurettes; Chan’s personal cut of “The Protector” (which is far superior to the theatrical release). Widescreen. Dolby 2.0 mono.


DON’T TOUCH THAT DIAL!

THE SIMPSONS—THE FIFTEENTH SEASON (20th Century Fox) More irreverent hilarity from the mind of Matt Groenig, who manages to still make every episode of this American institution as fresh as it was when it debuted. 22 episodes on four discs, with just a few of our favorites being: “Treehouse of Horror XIV,” “Fraudcast News,” “The Regina Monologues,” and “Smart & Smarter.” Loaded with bonus material, including: Featurettes; Commentary by exec producer Al Jean along with cast and crew; Deleted scenes with commentary; Multi-angle animation showcase; Special language feature; Commercials; Original sketch gallery, and much more. A must-have for any Simpsons fan and a good stocking-stuffer. Widescreen. Dolby 5.1 surround.
ANGER MANAGEMENT: SEASON ONE (Lionsgate) Charlie Sheen proves he has more lives than a Cheshire Cat with this latest re-boot, starring as a non-traditional therapist specializing in anger management. His life is complicated by his relationships with his own therapist/best friend (Selma Blair), his ex (Shawnee Smith), and their teenage daughter (Daniela Bobadilla). Sheen is in fine form and the show takes full advantage of his bad boy past for much self-deprecating humor, as did “Two and a Half Men.” 2-disc set features ten episodes. Bonuses: Gag reel; Interview with Sheen; Featurette. Widescreen. Dolby 5.1 surround.
SHAKA ZULU (A&E) Epic 10 part miniseries export from South Africa was an international smash upon its release in 1986, and remains one of the best of its kind. Telling the true story of the eponymous 19th century African king who become one of the first Africans to rise up against British colonialists, and single-handedly assembled an army that defeated what was then the most powerful military on the planet. Gorgeously restored from its original elements. Bonuses: Interview with cast and crew. Full screen. Dolby 2.0s stereo.
BEING HUMAN: THE COMPLETE SECOND SEASON (eOne) More adventures of three twenty-something roommates: vampire Aidan (Sam Witwer), ghost Sally (Meaghan Rath) and werewolf Josh (Sam Huntington). Together they share the creature comforts of a Boston brownstone, while struggling to resist the temptations of their true natures and keep their secrets hidden from the outside world. Bonuses: Featurettes and interviews. Widescreen. Dolby 5.1 surround.
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